EXTRA DAMAGE

LIGHTS. CAMERA. DUCT TAPE. Rex Flex has not had a hit in twenty years. Four very different directors have one plan: remake every famous movie scene ever filmed, with cardboard, a borrowed fan and a crew of volunteers. No CGI. No safety net. No permission. Your job is to get the shot. Every scene is a quick one-finger challenge. Pull it off like the storyboard and the director yells PRINT IT! 18 movies, 54 famous scenes Hang on a wire over a laser floor. Win a duel at high noon. Lean back as the bullets crawl past on a rooftop. Outrun a rolling boulder. Stand on the bow of a ship at sunset. Run up the museum stairs at dawn. Catch a fly with chopsticks. Crawl through an air duct with a lighter. Jump a bus over a gap in the freeway. Hit eighty-eight in a cardboard time car. Stomp a model town in a rubber monster suit. Ride a giant sandworm, chase a twister, slash demons on a pop concert stage. And many more, all fake, all cheap, all on one terrible studio lot. Every scene plays differently Draw on the cue, trace magic shapes, dance on the beat, swing on a rope, balance in the wind, frame the shot like a camera operator, copy the moves to pull the right cable. One finger, sometimes two thumbs, never the same trick twice. Show off your skill Every move is judged PERFECT, GREAT or GOOD. Chain them into combos, chase a higher score and earn a rank from C up to SS, the Director's Cut. Each scene has three stars: get the OK, match the storyboard and nail the stylish bonus. New stars pay extra box office money. Watch the stunt double first Before your first take of a new scene, the stunt double shows you how: a glove points at every tap, hold, flick and slide while the scene plays out. After that the screen is all yours, no hints in the way. Want to see it again or practice with the glove? It is one tap away. Every take of a scene plays the same choreography, so practice pays off. Instant retakes Blow a take and the slate is back up in a second. TAKE 2. TAKE 3. TAKE 14. The crew has seen it all. Premieres and the Golden Clapper Awards Every launch opens on a different made-up studio logo, every movie on a film countdown and its opening titles. Wrap a movie and watch your trailer, your blooper reel and your end credits, then walk the red carpet: a poster made from your best still, a line from the critics and box office money to open the next movie. Earn enough stars and your movie is nominated for a Golden Clapper. Gold, silver or bronze, the acceptance speech is always too long. A crew you will love Four directors yell ACTION! in their own voices: a hyper New York B-movie maker, a gravelly old cowboy, a theatrical grand dame and a streamer who directs like she is live. The makeup granny, the catering chef, the lanky boom mic guy and the clapper kid play every role nobody else would take: outlaws, kung fu masters, dinosaurs and one very fast chicken. Fair to play Free, no purchases, no banner ads, never an ad while a scene is rolling. Optional rewarded ads bring in a stunt double after three blown takes or double the box office at a premiere. A full-screen ad can appear when you leave a premiere, after every third premiere. Support: [email protected]

Every new kind of shot now starts with a rehearsal: follow the white glove on the set before the camera rolls. The duel rehearsal teaches you to wait for the real DRAW! sign. Two cuts in a row offer a practice run. New: Today's Call, one shot each day with the director's order and a box office bonus. Spend your box office on film stocks (sepia, noir, matinee) for your dailies, trailers and posters.